SEATTLE WASHINGTON<br />886.405.4485
contribute_current
February 4 - 27, 2016

A Vision of Northwest Excellence:

Works from the Rose Collection

Opening Reception: First Thursday, February 4th

6-8pm

We are honored to present select works from the Rose Collection, a private estate of Northwest Coast art by some of its finest practitioners. Collected with a keen eye for excellence and elegance, this top-level collection includes early and mid-career works by Northern and Southern artists. For collectors of grandmaster Bill Reid, this is exhibit is an opportunity to find an original stone lithograph and etching, as well as a complete folio of his Haida Myths series. Early works by Christian White, Don Yeomans and John Livingston allow insight into the evolution of their techniques. And exquisite recent works by Susan Point and Napachie Sharky are gems in this treasure trove.

 

February 4 - 27, 2016

Print Matters:

Printmakers on the Northwest Coast

Opening Reception: First Thursday, February 4th

6-8pm

Lithographs, serigraphs, giclees, woodblocks, monoprints, and embossing; the print-makers of the Northwest Coast employ many terms and tricks to get the job done. Formline design is particularly conducive to printing, as the 3-D curves and excisions of sculpture are reduced to elegant, flowing lines and negative/positive space.

Print-making amongst indigenous artists in the Northwest took off in the 1960s, with early pioneers --such as Henry Speck, Tony Hunt, Roy Vickers, and Doug Cranmer--kicking off a trend that would blossom through the next decades. In 1971 in Seattle--directly across the street from where Stonington Gallery now stands--
Joe David, Barry Herem and Duane Pasco stood around a press on the third floor of Dick White's gallery, pulling their first serigraphs. 

Giclée printing is one of the most recent printmaking techniques to emerge in the last century. Using advances in digital scanning and extremely high-end ink-jet printers, it allows artists to scan original artworks and print with almost perfect color accuracy. Giclées can be made on a range of substrates, including photography paper, canvas, and watercolor paper. Examples of artists using giclée are Marika Swan and Thomas Stream, who both use it to re-create original works in a faithful and quality way that would otherwise be impossible with serigraphy. And Qwalsius Shaun Peterson and Alano Edzerza, who pair digital design with the printing to transfer their ideas from pixel to pigment.

While fewer artists spend the time and energy hand-pulling serigraphs, those who persevere--such as Marvin Oliver--reap the benefits of deep, original color and high paper quality. Oliver also remains on the forefront of printing innovation, incorporating embossed dies into his work, and dichroic foils.

The late Roger Purdue also hand-pulled his own serigraphs, often switching colors on the fly as he worked through an edition, leaving us many options and colors to choose from. One of his particular skills was creating a sunset-like gradient background paper, or pulling one section of a design with a gradient. Such handiwork technique is not often seen in today's serigraphs.

Join us for a celebration of printers and print-making on the Coast in February. Along with our usual print bins, we will be hanging a salon-style show in the side and back galleries to highlight the wide range of styles and motifs that make up printing in the Northwest.

 

 

The Month of February

 

 

 

 

 

Don't Miss Our Annual Framing Sale the Entire Month of February!

As Part of our "Print Matters" exhibition:

-Take 20% off any new framing projects you bring in to our framer.

-Take 20% off the framing cost of any framed piece of art in the gallery.

 

 

 

Our frame shop manager is here Tuesday-Saturday to assist with design and quotes. Have you purchased artwork elsewhere that needs framing? We are happy to frame it for you!

This sale does not include works in the Rose Collection exhibit.

 

Gallery Information:

Address: 125 South Jackson Street
Seattle, Washington 98104

Telephone: 206.405.4040
Toll Free: 866.405.4485

Email:
art@stoningtongallery.com

Mailing List:

To join our mailing list, please send us a message at art@stoningtongallery.com. The mailing list is email only.

Business Hours:

Weekdays 10am - 6pm (PST)
Saturday 10am - 5:30pm
Sunday 12pm - 5pm

   

 

 

 

 

All images copyright © Stonington Gallery or ZensPhoto.